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Among the elements making up the soulful repository of the Romanian people there is none to include more and to bespeak truer than its very language. In connection with this Romanian idiom – which, with due additions, proved apt to voice any idea, no matter how lofty,

excerpt A commonsensical observation anyone could make is that in many of Caragiale's prose pieces the personal element comes out in a very direct manner, in the form of autobiographical reminiscences or fresh diary entries. Here is Caragiale as a child, tolling, together

About fifteen years ago, during the Brătianu Cabinet, I was editing 'The National Revolt'. It was an essentially combative paper, in strong opposition to the government. Our strength however lay not so much in the leading articles or in the polemic pieces as in

excerpt 'A friend, newspaper reporter' tries to mystify the author by dropping the 'bombshell' about the arrest of some very dangerous anarchists, with bags full of dynamite, poison, daggers, pistols, and compromising letters. The man inquires around

Very few people today will remember a famous newspaper that used to appear at some point in the capital, during the war of independence. I mean here 'The Romanian Nation' that Frédéric Damé and I published together. The life of that paper was as short as it

The threshold between the millenniums is an opportunity for evaluation: tributes, jubilees, festivals. Archives are being browsed, masterpieces are reappraised, and writings are redefined in the current context, then recirculated in today's competition. Everything becomes

Women artists (originally women-painters) became a reality in Romanian culture only by the turn of the 20th century. Barely having an artistic tradition of the western kind (that is, academic), the national cultural milieu in the 19th century was rather deprived of a professionally

At the same time, the great Russian also remarked that woman is always what we want to make of her. Femininity triggers off creative energies. Through it, the Author dominates the epic matter, and this helps him complete his plan, plot, work. Femininity delays the end by

from The Lost Letter ACT II SCENE V ZOE(alone; nervous, she takes out the newspaper and reads)In tomorrow's issue of our gazette we shall reproduce an interesting sentimental letter from a notable of our town to a lady of great influence. Beginning tomorrow, the original

 Mioriţa, the most popular Romanian ballad, has its name coming from a rather ambiguous female character, the meek ewe that discloses the plot to her fair master, whose two fellow shepherds plan to kill by the time of sunset, looting his larger and worthy flock. Mioriţa

from The Hatchet I It is the mountain peasant's lot to earn his daily bread either with the axe or with the sheep hook. Those of them that work with the axe fell firs from the forest and take them to the Bistriţa; there they bind them together into rafts and float

from Don Juan CHAPTER VI Sometimes he would run into Tonia by chance. This is one way of putting it, because he often walked the streets close to her house, he went to a beer joint two corners away, sometimes he was in the park nearby speaking kindly, helping small groups