PARIS

[1]Algazy is an old, loveable, toothless, smiling old man; his beard is shaven and silky, beautifully displayed on a grid, screwed up under his chin and enclosed with barbed wire… Algazy does not speak any European language… If you wait for him, however, at dawn, when

(17. 03. 1883 – 23. 11. 1923)Through Urmuz, Romanian Surrealism is previous to the French one and independent. Leaving behind the trivial objective chance, Breton thought it fit to use the inner chance, i. e. that chance grouping of subconscious elements which are not

Artists are wanderers par excellence. This is the case not only for the itinerant artists of the Middle Ages, those architects, stone-carvers, painters and stained-glass artists that moved their workshops all around Europe, building and embellishing cathedrals here and there.

The summon sounded imperative, I had positive interests, thank goodness – I was to receive by the hands of professor Cioranescu the second volume of his memoirs - this, as he had no intention of coming to the country this year – moreover, my curiosity was not inconsiderable.

Lisbon, a town whose name comes from the mythical traveler Ulysses – so they say – , illustrated in the Middle Ages by so many navigators and explorers curious and eager for adventure, shows to the visitor first its drowsy side. It is true that I first visited it on

I cannot think of a more fortunate coincidence: this is the first time I have visited Paris in May and the show is extraordinary. I know somebody who keeps a dried chestnut flower between the covers of a notebook, a flower that he has picked up from the sidewalk in Cluny

We are stepping in on a realm of legend. My reader undoubtedly knows the thrill of finding himself in places bearing a special aura. Something memorable has occurred there. Not necessarily a glorious, heroic deed, a moment of history, but an act of spirit (pardon my grandiloquence!)

excerpts30th September When I get on the tram, in Zurich, I cross myself. To whom? Not to the tram, of course, but to the Power that gave some people (engineers, technicians, workers) the ability to create such public means of transportation: and to others (the passengers)

Relying on analogies, the memoirist sometimes builds his 'account' on an allegoric construct. The major allegoric theme of such itineraries, suffused with metaphors and symbols (ranging from the proud verticality of the mountain to the protean horizontality of

excerptFor various reasons, travel became a fashionable experience at the beginning of the 19th century all over the Europe. Even Spain, originally a destination country for foreign travelers, mainly from Britain, is invaded by the mania de viajar; the Spanish playwright

(Constantin Golescu, Notes on My Travel, drawn up in 1824, 1825, 1826. Reprinted and accompanied by an introduction by Nerva Hodos, Bucharest, 1910)excerptsWhen today a Romanian travels in all European comfort, by railway; when he can, even without changing car, get to Paris

excerptsWhen you arrive in Frankfurt, coming from Eastern Europe, you find too little of what you knew about Germany from the readings of its great writers. Another world, other values, another history. A civilisation of concrete and of computers. It is only when you arrive