Oscar

“Enciclopedia de una carrera” por Adolf Armbruster Barcelona, Gran Teatro del LiceoG. Donizetti: La Favorita / el papel: Leonora di GuzmanDirector de orquesta: Adolfo Camozzo / Director de escena: Diego Monjocon: Jaime Aragall / Luigi Ottolini (23 de noviembre), Vicente

I couldn't say I was properly introduced to Magdalene, the wording would be equally pretentious and inexact; as a matter of fact, she actually rushed into my studio… She was tired, exhausted, shabby, as if she had come out of the hundred year war. I had worked all

Honestly, Corneille bores me. We probably only love him (without believing in him) out of habit. We are forced to. They imposed him on us in school. I cannot stand Schiller. For a long time I thought Marivaux' plays were unserious games. Musset's comedies are thin,

The Romanians – at least the townspeople – have a southern nature. Southern liveliness is an energetic reactive that generates buffoonery in truly emphatic forms. Stupidity and vanity, which are latent in a phlegmatic and quiet northern human mass of people, erupt brightly

For the first time ever three American choreographers, Moses Pendleton, David Parsons and Daniel Eszralow will create a novel performance for the Romanian World and Olympic Champions at aerobics. AEROS – a world premiere that will take place in Italy. Physically extremely

Art critics acclaimed Magdalena Popa: She is one of the most dazzling stars of the century. She was regarded as a goddess of this art. Her small body expressed grace, a sort of ritual noblesse. Born in Bucharest, she graduated from the High School of Choreography and then

Aida, March 17, 1920. I waited for it. With the justifiable, feverish impatience you feel before an ideal dream comes true!, wrote the Rampa magazine on March 18, 1920, hailing the opening of the first lyrical season. People liked the cheap, but very beautiful stage design,

He was more of a unsociable person, a loner, he seemed sullen and morose. Only among his friends he would become again the father of eloquence and paradox. Eugen LOVINESCU There was no one in the house of the great loner but me. From time to time, an old lady with big

Shortly after World War I a new name amidst art collectors in the know started to compel recognition: that of poet Ion Minulescu. At that time, more intensely than in previous years, he would, due among others to his obligations as Director General of the Arts, visit exhibitions,

Director of the Art Museum in Constanta IntroductionThe private collection can represent the distinctive mark of a class, a real nobility title, the possession desire, a hobby gradually turned into love – sometimes tyrannical – or a specific kind of knowledge; a true

Would you please not rank me among collectors, although I pretend I am a connaisseur, in the meaning of the French word, academician Victor Eftimiu told me on one occasion in 1965, seated on a bergère, clad in a night gown, rather worn down but adorned with fine embroidery,

After having been closed for consolidation, restoration and reorganization, the Museum of Art Collections, housed by the former Romanit Palace, restores to circulation fourteen collections, exhibited in the building facing the Grivita Road. The building was closed in 1986