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With Beethoven's Missa Solemnis, Horia Andreescu endowed his own anniversary (50 years of life, which is both little and a lot in the life of a conductor) with a well-deserved brilliancy. On the other hand, while defining his assuredness, the merits of a 27-year career

A special moment at the close of the musical season was marked by the meeting, after 20 years, of conductor Erich Bergel with the National Radio Orchestra. Bergel conducted several times the Cluj Philharmonic – his first and most faithful love – in the past three years.

The works of Hector Berlioz have in good justice been reputed to occasion most spectacular renderings, as the French romantic was a creator of inexhaustible fantasy and multiple resources. The title Symphonie fantastique on a bill could spell either a risk or a professional

Pascal BentoiuPerformed in premiere in Bucharest Undoubtedly, composer Pascal Bentoiu must be regarded at present as one of the most outstanding symphonists of the Romanian musical school of the 20th century. The recent first performance in Bucharest of Symphony No. 7, Volumes,

Schwerin Founded by Heinrich der Lowe in 1160, the city today is worthy of its eight-century tradition. It abounds in vestiges – proudly and understandingly nurtured – of a history that is comprehensive in what regards the cultivation of music, too. The notes that I

One of the most important orchestras in Europe. This is how a Spanish newspaper described the Romanian Radio-Television Orchestra after a concert when it opened the 1993 Santander festival, an international get-together rounded off this year by the Scala Orchestra under

Born: October 18, 1946 in Brasov, Romania Studies: MusicHigh School in Brasov; Academy of Music, Bucharest (Professor Constantin Bugeanu – conducting, Professor Stefan Niculescu – composition); Academy of Music, Vienna (Professors: Hans Swarowsky and Karl Oesterreicher;Mastership

There is a hidden passion in revealing the Romanian first absolute auditions that characterize conductor Horia Andreescu, the artisan of some essential scores of autochthonous contemporary symphonism. Besides the unknown Symphony No. 5 by George Enescu, discovered, re-orchestrated

I count myself to the category of performers who do not deem themselves as conductor-addicted, nevertheless, it is hard for me to clarify the feeling I sense when I assert this. Maybe, it is a matter of tribute to the Lord, to Whose unique credit destiny willed that I master

Conductor Constantin Silvestri's first contact with the music of the Occidental world represented a shock because the entire classical and modern music deeply imprinted on the consciousness of the public was utterly shaken by a new, contemporary, vital spark of the

I think the idea of a head of the orchestra arose two and a half centuries ago, as a result of the activity of the Mannheimer Circle, who had invented acoustic dynamics: the game of intensity, as a component of the agogic, a quite unproductive term for most of the music

– Peter I. Tchaikovsky: Nutcracker, suite for orchestra (Bamberg Orchestra); taken up by Electrecord – ST-ECE 0791 – Edvard Grieg: the Peer Gynt suites op. 46 and op. 55 – Carl Maria von Weber: Overture to Der Freischuetz; Overture to Euryanthe; Overture to Oberon(Bamberg