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 Mioriţa, the most popular Romanian ballad, has its name coming from a rather ambiguous female character, the meek ewe that discloses the plot to her fair master, whose two fellow shepherds plan to kill by the time of sunset, looting his larger and worthy flock. Mioriţa

from The Hatchet I It is the mountain peasant's lot to earn his daily bread either with the axe or with the sheep hook. Those of them that work with the axe fell firs from the forest and take them to the Bistriţa; there they bind them together into rafts and float

Someone had to lovethe world's harmony, the hidden law of rhythms;someone had to be aloneand listen incessantly.   by Magda Isanos (1916-1944)

from Don Juan CHAPTER VI Sometimes he would run into Tonia by chance. This is one way of putting it, because he often walked the streets close to her house, he went to a beer joint two corners away, sometimes he was in the park nearby speaking kindly, helping small groups

From The Procrustean Bed Add to these criteria of a physical nature the old preconceived idea of talent. As is known, talent is discovered thus: a boy or a girl, choking with stage fright, before a long table at which a commission are sitting, start declaiming Gens Latina

…And I walk in my memories as in a deep wood…there I find people like leafy treesand so many things unhappened to othersand walls built on mysteriesand old parks asleepand statues of silenceand masks molded in wax:a world of mine, a world I grew up in,and learned what

There are masterpieces of musical drama the destiny of which became final in the history of opera owing to singers with a flash of genius. Seemingly, this is how Puccini's Tosca was born, whose protagonist, a superb Romanian soprano from Brăila, lend brilliancy to

from Exuviae  I squat in the middle of the room. I find it hard to talk about myself in the past. And today, only a specific kind of music, sometimes, or some dizzying book can make all the multitudes you are made of get along, keep together, come back docilely to your

The Secret Correspondence between Mihai Eminescu and Veronica Micle Halfway through last year, a genuine editor's bomb was being thrown on our cultural market: the Polirom publishing house based in Iaşi had issued – and was launching on 15 June – a volume of secret

excerpts CHAPTER IMother's Poor Little Things Mara, bless her heart, was now a widow with two children, poor little things, but she was young and healthy and hard-working, and God allowed that she got lucky again. As a matter of fact, when he lived, Bârzovanu, her

Mrs. Hortensia Papadat-Bengescu has written, after the model of the English novel, the moral and sentimental story of a family, a study of ramified psychology, probing into the deepest feelings of the collective clan and family life that changes from generation to generation

I have meant to decompose and recompose the forms and the colors in order to prove and disclose their essence. Hortensia Papadat-Bengescu After a short story debut dominated by lyricism (Deep Waters, The Woman in front of the Mirror) and while trying (and managing) to