Mircea Eliade

The book about fleshexcerpt I absolutely have to tell you in detail everything that happened in my wedding bed, on which we lay down as though on an operating table, Ferdinand Sinidis grumpily intervened. I really want to stick to the subject, although it might seem that

excerpt  When I came back from the town, I found a note on my table: Come to the library! I met Maitreyi, who told me, terrified: Khokha knows!I tried to look undisturbed and to persuade her that it didn't mean anything. Maitreyi stared at me, clasping my hands, as

XVMiss Christina stood there, very close to him, with her breasts uncovered, her hair loose, waiting. Egor, you're humiliating me! he could hear her thoughts. Turn off the lamp, come closer!Egor tried in vain to resist. He could feel Miss Christina's command in

excerpts  So closeSuddenly, the interwar people make the body visible: men are allowed to shave off not only their beards, but also their moustaches – a facial change that overthrows an aesthetic canon with centuries-old resistance – and women, punished and ridiculed

* The boom of geographic discoveries and trading expeditions that began on the eve of the Renaissance and continued throughout that era developed a new taste for describing remote, if not downright imaginary, countries and peoples. Before being discovered, the savage was

excerpts The gradual development of a cultural Moldo-Walachian elite of Albanian origin, that was able to manifest an awareness of the cultural identity of its origins through certain activities in this respect, an elite devoted to the idea of a modern and independent Albania,

Soulignant l'apport des écrivains, dramaturges, poètes venus de la sœur latine roumaine, Robert Sabatier fait cette remarque, dans le 6-ème tome de sa monumentale Histoire de la poésie française, celui consacré au XX-ème siècle: . . . mais il est vrai que

Nous ne jouissons que des êtres et le reste n'est rien. Vauvenargues Toute œuvre dramatique d'Eugène Ionesco se trouve en puissance dans son premier livre (Nu, Bucarest, 1934; Non, tr. Fr. , Paris, 1986) et finalement quintessenciée dans son dernier (La Quête

The generation preceding us gave several peaks: Ion Barbu, in poetry, Tudor Vianu, creator of aesthetic systems, none of the most refined, but solid nonetheless, Lucian Blaga, in metaphysics and the philosophy of culture, Nae Ionescu, Cezar Petrescu, novelist of failures,

If I had had the courage to speak freely, directly, without resorting to these pages in front of me, and without caring about the serious language mistakes I may make in French – and which I will definitely make –, if I had the courage to start my free conversation with

excerpts Mr. Mircea Eliade starts from the premises of the break between today's generation and the former one. Today's generation, restless, effervescent, vibrant, exulting, has a life of its own, with numerous experiences; it doesn't artificially follow

excerpt 1. Guidelines I begin, with these pages, the publication of some notes, or observations, or reflections, or monologues regarding our generation. The decision is not presumptuous, or unrealizable. It will be said that as long as a generation exists, it's a