Mircea Eliade

If ever I ventured to write a treatise on the savoir vivre, I would not neglect to address, in an entire chapter, the art of whiling away. It seems to me that this type of happiness – which is, equally, an admirable instrument of knowledge – has long been forgotten.

Myth as a source of folkloric artistic manifestations continually delineates new territories waiting to be re-discovered. In the moments of mythological reconstruction a process of sifting the essences is kindled, which fascinates and re-sizes the participants in a meta-real

We have been acquainted with the fundamental myths of Romanian spirituality in Mircea Eliade's view and read his comments on the legend of Master Manole, the legend which, according to Eliade, certifies that myth is essential to the process of artistic creation, and

To the achievement of literary impact, Argeş Monastery comes up with a simple and ingenious solution: the absolute contrast between the soft and caressed tenderness of form, on the one side, and the wild graveness of the underlying tragedy, on the other. In the style and

In his opening speech at the inauguration of the Village Museum, Professor D. Gusti said: …We did not have the example of open air museums from the northern countries, such as Skansen, Bigdo or Lillehammer. They convey us too much romantic and ethnographical merit, focusing

Healing plants grow under Christ's cross and out of the blood of our Saviour. People in Germany and Norway believe that the grass of Sânziene (Hypericum) grew roots from the Saviour's blood drops. Other legends tell that the same plant was born from the blood

excerpt THE ROMANIANS' SPIRITUAL LIFE The Two Myths of Romanian SpiritualityIn any culture, there is always a central myth that discovers it and that is to be found in all its major works of art. Romanians' spiritual life is dominated by two myths that express,

Romanians of more recent generations, but also some of the older ones, who were born before the Soviet occupation, and the instauration of communism in this country, without reaching then intellectual maturity, look to the period that was cut short in 1948 as a privileged

All kinds of things happen. I remember this biker. I was sitting in front of the chalet, watching him. I was waiting to see him getting bored. He was mounting the steep slope for the forth time around and, as soon as he reached the top, he would turn his bike into a smooth,

It was not easy for Romanian literature to evolve up to Ioana Bradea's novel, to its so provokingly violent title (itself a sophisticated, impudent blend of meanings and connotations as long as the dictionary designates just one object: a pipe)! And to think that once

If we were to maintain that the erotic language as an independent writing mode has at present been obliterated from Romanian literature, we would, perhaps, make a serious overstatement, but not lie entirely: it might seem peculiar, but this European literature, which is

One should add to the romantic universe of Berlioz, Chopin, Liszt and Wagner the love story of Maria Cantacuzino and the composer George Enescu, as the mystery of its extraordinary tension has been revealed in the recently published Ombres et lumières, Souvenirs d'une