Mircea Eliade

As everything modern, the fantastic mode, which seems to be still one of our great favorites in these last years of the modern millennium is to be defined through the series of transformations of the traditional forms of the fantastic art. In her excellent reference book

I certainly am neither the first, nor the only person to notice that the fantastic appears as a distinctive feature of Nordic, non-Latin peoples, rather than of the meridional spirit. The solar, mercantile, skeptical-rationalist South, and the sanguine, outgoing, relativistic

The early-20th-century major Romanian art is not a block, but a very particular construction of intertwined cultural layers. One could not affirm that the most fertile and valuable Modern cultural period of this country was characterized by a certain, homogenous Romanian

South Pacific, December 1999 To be a Romanian writer (therefore in the minority) in New Zealand! Ibi patria, ubi – wife. In New Zealand, I think about the confluence of our lives. We come from so far apart, we meet unexpectedly, we link our lives, our fates together.

In Romania, no less than 18 minorities live alongside the majority population, having more or less weight. This has favored – especially in some cases – a very interesting and significant cultural melting pot process, the birth of an extremely rich and diversified cultural

It may be said about some cities that they are theatrical; that – in other words – they look like a stage set. Take, for instance, Venice or Naples. It may be only an illusion, however, given a host of plays by Goldoni or Eduardo de Filippo whose plots revolve around

I was preparing to go to the editorial office where I was going to give a lecture in front of a group of journalists. A cultivated, exigent, familiar audience. I was waiting for the car to take me there. I like to be left alone in such moments, so that my excitement doesn't

The founder of the Theater of the Absurd (with The Bald Soprano, staged in 1950 by Nicolas Bataille at the Theatre des Noctambules in Paris, a play he had begun in the 40s while still in Romania under the title English without a Teacher), a member of the French Academy from

You have turned the antic into the modern, Rousseau le Douannier once told Brâncuşi. Those words complete very accurately the characterization suggested by Dan Hāulicā: He produced the century's purest classicism out of the exotic. [1] The Romanian sculptor

The threshold between the millenniums is an opportunity for evaluation: tributes, jubilees, festivals. Archives are being browsed, masterpieces are reappraised, and writings are redefined in the current context, then recirculated in today's competition. Everything becomes

At the same time, the great Russian also remarked that woman is always what we want to make of her. Femininity triggers off creative energies. Through it, the Author dominates the epic matter, and this helps him complete his plan, plot, work. Femininity delays the end by

excerpts The Diary and Its Readers We should not overdo it with diaries and letters. We usually tend to deem them more revealing of the man than his public work. All that is secretive, familiar draws us as if it were a confession. It is the pleasure of breaking an interdiction,