Litera

*More than a century ago Europe was not yet known as a cultural construction, an intellectual day-dream, a heap of broken images, a copy in a world without originals. Artists tried to escape the big fortress ensconced in coal smog and torn by wars, social conflicts, and

excerptsLet us begin with on obvious fact – Urmuz is a myth, is he not? Useless like all myths, functioning due to inertia, the coronation of certain clichés. Who reads Urmuz these days? Urmuz was the object of critical studies, his work has been translated, and his name

1. His parents christened him Dimitrie, but he knew the appropriate name for himself, so he changed it to Demetru. He had said this himself, people should find names for themselves in tune with their own personal reality, or they should change themselves, while that is still

The research with a satyr's eye of the flaccid, common, adjacent mores.  His heroes resemble us in the whims for the sake of which we all are sometimes weak, fictitious, camouflaged. St. ROLL Urmuz… alongside Eminescu, with their turmoil and tragic end, with their

IA well-ventilated apartment consisting of three rooms, glass-enclosed terrace and a door-bell. Out front, a sumptuous living-room, its back wall taken up by a solid oak book-case perennially wrapped in soaking bed-sheets… A legless table right in the middle, based on

IFuchs wasn't quite born by his mother… In the beginning, when he came into being, he wasn't even seen, he was only heard, for Fuchs, upon being born, chose to come out through one of his grandmother's ears, his mother having no musical ear to speak of…Fuchs

* Algazy is a nice old man with a toothless smile, his beard shaven and silky, neatly laid out on a grill that is screwed under his chin and surrounded by barbed wire… Algazy does not speak any European languages… but if you wait for him first thing in the morning and

[1]Algazy is an old, loveable, toothless, smiling old man; his beard is shaven and silky, beautifully displayed on a grid, screwed up under his chin and enclosed with barbed wire… Algazy does not speak any European language… If you wait for him, however, at dawn, when

Demetru Demetrescu-Buzău, whose pen-name was Urmuz, published his first bizarre pages in 1922 and killed himself in 1923. His life was short, his literary life was one of the shortest ever, and his work is comparably short: just a few short stories. Yet his influence on

This issue is dedicated to some of the most significant bizarre, atypical figures in Romanian literature. Although it consists of a selection of literary sketches and fragments of novels, it can be best described as an anthology of twentieth-century poetic prose, stretching

Choreographer The arts are long voyages of the spiritual in the material reality, unleashing the imaginary, freeing the phantasms, exploiting the miracle of representation. Without being as rich as the other artistic branches in events meant to shape its history, the dance

Travelers may be (actually, have been) classified along various criteria. For instance, there are those who, like Emil Racovita or Dumitru Hincu, to cite only a scientist and a philologist, before going on a trip, document themselves extensively, and their joy of digging