Litera

It was not easy for Romanian literature to evolve up to Ioana Bradea's novel, to its so provokingly violent title (itself a sophisticated, impudent blend of meanings and connotations as long as the dictionary designates just one object: a pipe)! And to think that once

excerpts Friday EveningGood evening. I am Andreea. Maybe I don't give a fuck about who you are. Ok, I was trying to be polite; I'd like to know whom I'm talking to. Listen, sweetheart, cut the crap, say eiteen. I beg your pardon?Eiteen! Say eiteen, what the

Since Satyricon, many things have changed, yet everything has remained the same. We don't talk about new things, but about the same, only in a different way. And the theme of sexuality will continue to be exploited and investigated, alongside other capital-letter themes

excerpt (Yes, man, it was her, Dalia, his girlfriend from fifteen years back, the sausage girl, the blonde at the slaughter house, married to the drunken sub-lieutenant who was away one week at a time on field practice, yeah, mate, the one you first saw at a meeting with

N. Manolescu promised somewhere an inventory of places where the characters in Romanian literature make love. The critic was surprised by the parsimonious frequentation of the conjugal bed, and the preference for more bucolic spots: the oven, the meadow, the haystack…

To many readers, what is permitted in the street, press, on television and even in other arts is not allowed to literature. The parent is not worried about the profusion of sexually explicit films broadcast on TV and deposited (with the pride of personal emancipation) in

ArgumentI have always regretted the lack of raw erotic detail in the most remarkable works of fiction. This frustration is by no means compensated for by the high availability of lurid, pornographic books. When reading fiction, I do not look for arousal, but for precision.

excerpt When I first met her, she said she adored Pablo Neruda's poetry and La Fontaine's erotic fables, which are un petit secret délicieux and, once a month, she would listen to a fragment of Le Petit Prince, interpreted by Gérard Philippe. She also told me

He went out of the smoky-glass building without looking back. He was treading slowly, looking at the tips of his impeccably polished Timberland shoes. He hadn't even managed to answer the porter, who may have wished him well, smiling as in a dental-floss commercial.

Bertrand had descended on our little town as if from a film: long-haired, with a beard that was still fluffy but nevertheless impressive in comparison with our teenage fuzz, and dressed in a T-shirt with Che Guevara on it. Besides, he was smoking Gauloises and was an anarchist.

Years ago, I experienced a peculiar evening. My life is far from eventful, and the few significant occurrences I do remember have been sucked for all they're worth in my books. There are, nevertheless, among their number some which, for a variety of reasons, I couldn't

I don't know what pornography has come to mean today, but I know what pornography is not. I recently saw the horrid TV broadcast against Ovidiu Verdes's book, the whole pathetic setup designed to compromise an author. I consider Musics and Tricks as one of the