Glass

Architecture represents a means of interrogating history. Rather ominous, it is to be feared, when the question applies to the Romanian capital. Why so? The way Bucharest has been subjected to transformations in the last century accounts for the living changes affecting

If you read travel notes by simple tourists or people on journalistic, cultural or political assignments, from the 1920s or 30s, if you peruse recurrent images about a Bucharest imprinted with evil or good charms, equally decrypted and encoded, moving and repulsive, you

excerpts In the large house of the Barbus, in the Mogoşoaia Bridge Street, the main staircase was guarded by two bronze moors, carrying huge, crystal lamps. Upstairs, you climbed to the boyar's dwelling. Under the first steps, however, a narrow door opened toward the

Yellow and blue streetcars, princely coaches, churlish carts and bikes and a lot of folks on foot…From so many streets and ways, like on as many arms of a huge river waves upon waves of people are flowing as if into a boisterous sea, unto the barrier at the end of the

Volume I, 1871 - 1884 The Christmas of 1871? My young age then was so eagerly waiting for it. By 10 o'clock the night of the Eve, the shrill voices of the carolers would resound all over Bucharest. In those days the carolers were children from the edge of town, children

Walking around the city arm in arm with literary recollections… Laying on façades invisible memorial plates with quotes in verse or prose… Experiencing live the sensation of osmosis between fiction and reality… Feeling literature become history, and history – literature…

excerptsThe Beginnings With the passage of time the ancient road was called by sundry names: lane, bridge, promenade – as if it needed any name or title, this street of streets whose reign over the city goes back two hundred years. Victory Promenade! The Nation's

excerpts In the second half of the 17th century, inns emerged in Bucharest. They later formed a very important chapter in the Bucharest economy of the 17th century and of the first half of the 18th century, and they made an important contribution to the development of the

excerpts Episode no. 33At the Vizier[1] Meanwhile, not long after the crescent had entered a Christian cloud, much to the heathens' grief, three men's shadows on three horses' shadows were more like crawling than riding towards the vizier's palace.

Constructive dialogue: two high-ranking dignitaries (over 6 ft. tall) chat about this and that, while they arrange little, cute, colored cubes, make them look like buildings, each according to his own judgment. This tiresome work, which involves not only gray matter, but

I couldn't say I was properly introduced to Magdalene, the wording would be equally pretentious and inexact; as a matter of fact, she actually rushed into my studio… She was tired, exhausted, shabby, as if she had come out of the hundred year war. I had worked all

I was preparing to go to the editorial office where I was going to give a lecture in front of a group of journalists. A cultivated, exigent, familiar audience. I was waiting for the car to take me there. I like to be left alone in such moments, so that my excitement doesn't