Giurgiu

Festivalul Filmului Românesc în Israel, dedicat aniversării a 15 ani de la înfințarea ICR Tel Aviv, a debutat în seara zilei de 11 aprilie 2019, la Cinemateca din Tel Aviv. Filmul de deschidere, Moromeții 2, a fost proiectat „cu casa închisă”, beneficiind de

Actorul Rudy Rosenfeld, în vârstă de 77 de ani, a murit pe 24 august 2018, luând cu sine o parte esenţială din istoria Teatrului Evreiesc de Stat, dar şi a teatrului de limbă idiş. Rudy Rosenfeld s-a născut la Cernăuţi, pe data de 4 august 1941. S-a dedicat

Odată cu noile succese de la Cannes, România și-a reconfirmat statutul, câștigat în ultimii ani, de mare putere cinematografică. Deși numărul de titluri anuale și bugetele proiectelor românești sunt mult mai mici, producțiile românești domină, în termeni

THE YOUNG, THE NEW, THE DARING Autori: Ariadna Grădinaru, Dragoş Tudor An: 2007 Cartea conţine detalii şi imagini de la debuturile în filmul de lung-metraj după 1989. Sunt prezenţi regizorii Nae Caranfil, Sinişa Dragin, Tudor Giurgiu, Napoleon Helmis, Cătălin

Government Palace in Victoriei Sq. a fragment from the novel Derapaj (Skid), Iaşi, Polirom 2006 Maria’s life glowed with a murky sort of splendor, her past, though committed to oblivion, constantly closing in on her and obscuring her thoughts like the spots of a solar

1st row: National History Museum, Old Court Museum, Archeology Museum (detail), National Museum of Art2nd row: Collections Museum, Zambaccian Museum, Theodor Aman Museum, Gh. Tattarescu Museum 3rd row: Storck Museum, Romanian Peasant Museum, Astronomical Observatory (detail),

El año 1492, a la vez con el descubrimiento del Nuevo Mundo, ha representado un paso gigantesco en la historia de la humanidad. Pero, al mismo tiempo, es la fecha de un acontecimiento que ha marcado profundamente y para siempre el futuro de España, ya que en aquel entonces

excerptsThe Beginnings With the passage of time the ancient road was called by sundry names: lane, bridge, promenade – as if it needed any name or title, this street of streets whose reign over the city goes back two hundred years. Victory Promenade! The Nation's

excerpts IThe Tomb The Royal Church bells of the townlet of Bucharest were pealing rhythmically in a mournful voice, whilst, from the hillock in sight, the small-rounded belfry of Bucur's little church was echoing back the toll in a wailing-remote fashion. It was

Iaşi proved to be, for the second time, an excellent host for The Competition-Festival of choreographic creation with international participation, initiated last year by the ballet critic Dan Brezuleanu, the director of the Festival. The artists benefited from a modern

Once, the art lover, strolling along the streets of Bucharest, would stop in front of certain houses – either known to him or not – that confined within their walls innumerable works of art. Around these art works there endured a name, that of the people who had gathered

excerpts ITHE TOMB The bells of the royal church of Bucharest tolled wailing and gradually; and from above, from up the opposite hill, answered the small round spire of Bucur's church. It was towards the end of February, in the year 1560, and recently the body of