Fringe

As everything modern, the fantastic mode, which seems to be still one of our great favorites in these last years of the modern millennium is to be defined through the series of transformations of the traditional forms of the fantastic art. In her excellent reference book

To clarify the unities of place, time and action in this world: here, now and thus, when one can no longer believe in the laws of happening, because this place is not in the now, and this now does not thus give temporality to the here. The present reality of things past

After my first visit to Bucharest, in the mid-eighties, I returned to my native province with a splitting headache; I recounted the details of this anecdote elsewhere* – anyway, they had to do with two mugs of beer and a few mititei – spicy burgers – swallowed on a

Further to some parliamentary exchanges including a number of tender allusions to the mother, two persons from our political double-decker world have been in a position to repair to the special purpose ground for interacting by means of two bullets really devoid of any great

 Mioriţa, the most popular Romanian ballad, has its name coming from a rather ambiguous female character, the meek ewe that discloses the plot to her fair master, whose two fellow shepherds plan to kill by the time of sunset, looting his larger and worthy flock. Mioriţa

from Exuviae  I squat in the middle of the room. I find it hard to talk about myself in the past. And today, only a specific kind of music, sometimes, or some dizzying book can make all the multitudes you are made of get along, keep together, come back docilely to your

Foreword The few words that I put as motto at the beginning of this book can be translated like this: God must have had a hidden plan for this people that the western states rediscovered on the banks of the Danube and adopted like Pharaoh's daughter adopted Moses.

The summon sounded imperative, I had positive interests, thank goodness – I was to receive by the hands of professor Cioranescu the second volume of his memoirs - this, as he had no intention of coming to the country this year – moreover, my curiosity was not inconsiderable.

Safta was a victim of her past of love affairs and amorous generosity, but also of the human decay from the madhouse times and from all times. The former chanteuse had decided, the night when she ordered the enamoured shopkeeper to break the fiddles of the fiddlers, to give

excerptclick here to see film preview Heeler produced from a slit of his belt an unopened package of smokes, casually took place on a stump and began rolling a cigar. Moromete squatted down and rolled one from Heeler's pack, after which he stretched his arm to laggardly

Yet, why should we prize futilities to such an expanse? To what avail should we step purblindly into the haughty palaces, where we, perchance, would encounter but troubles and mortification? Are we not indeed the grandchildren of the poet who, above all, labored the point

Only there isn't a show without protocol. Only the uneducated imagine that to lay the table and, especially, to have someone for dinner are trifles. When you invite someone to dinner you don't do him a favour. That's why you have to give him the impression