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For well over one year, since I and the retiring actor Stelian Nistor marketed our tee-vees to see the magazine Everybody's Cuisine through the press, our peers, notably those at The Catzavencu Academy, never fail to cheek me: You meatball-journalist, recipe commentator,

excerpt It happened, not too often, but especially after a theater evening followed by dull group discussions at a terrace forgotten open. Camil, the second day after the torture, ran wild. He met Sandu, the sports teacher, the scare of the second division at rugby, the

In White Moor by Ion Creangă, the Rabelais-tinged philosophy of Gaster (the Belly), (Mikhail Bakhtin) represents one of the tests the main character has to pass in order to marry the daughter of the Red Emperor. As in any fairy-tale, be it in its cultivated variant, nothing

Emil Racoviţă (1868-1947) The house of the family Racoviţă was indeed a strange one as it looked like nothing else. It was the place of someone who wanted to get rid of all the material values. . . Emil Racoviţă had a fantastic appearance, he looked massy and noble,

excerpt In the end, after much talky talk, the priest managed to completely lay the guilt on Father Mitrofan from the monastery, who was now to be held accountable and punished. And since there was nothing there to eat, the priest's wife being sick, priest Bolindache

To readers of Rabelais' followers and lobster-thermidor buffs, la joie de vivre Romanian-style may contain a smack of garlic too much. Although, in all the historical provinces, each under a different rule and influence throughout the Middle Ages and even later, gastronomic

It seems almost provocative to launch such an issue on the local pleasures, pastimes and delights, while nowadays a troublesome Romania appears as plunged into unending economic and social difficulties, striving to cope with various shortcomings and weaknesses. However,

European travelers such as Antonio Maria del Chiaro were struck long time ago by the uncommon abundance of woolen carpets in each Romanian home, be it aristocratic, bourgeois or peasant. Carpets were laid mainly onto the walls of the rooms, but they also covered the beds,

The legend is part of the martyr-cycle and it contains fairy tale elements (the dragons), which is not unusual in hagiography, as shown in the last chapter. It was copied by the parson Grigore from Mahaciu before 1600 after an original that has been lost. It is still preserved

Popular belief has it that Death is an old crone, carrying a scythe. She scythes people and snatches away their soul. Or she sips their breath and again, snatches their soul. Or simply touches them lightly but cruelly with her frozen wing. And snatches their soul. As a child

The relevance of iconography for the study of the history of mentalities has been uncontested in the Western cultural space for the last few decades. The seminars organized in Aix-en-Provence on the relationship between iconography and the history of mentalities as far back

In the field of iconography the rhetoric of the end manifested itself initially as a history of silences, the absence of the motif being possibly equally significant as its presence since, as Michel Vovelle demonstrated, images interest us as expression of a selective, oblique