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Popular belief has it that Death is an old crone, carrying a scythe. She scythes people and snatches away their soul. Or she sips their breath and again, snatches their soul. Or simply touches them lightly but cruelly with her frozen wing. And snatches their soul. As a child

The relevance of iconography for the study of the history of mentalities has been uncontested in the Western cultural space for the last few decades. The seminars organized in Aix-en-Provence on the relationship between iconography and the history of mentalities as far back

In the field of iconography the rhetoric of the end manifested itself initially as a history of silences, the absence of the motif being possibly equally significant as its presence since, as Michel Vovelle demonstrated, images interest us as expression of a selective, oblique

THE END OF THE EARTHI wrote in my other books about the popular beliefs regarding the future ending of the world and, consequently, of humankind as well as of the Earth we are living on. It goes without saying that the stories about the destruction of the Earth are scarce

excerptsTHE WATER PIXY. Representations. The Water Pixy and the Human Head. The Water Pixy's Wraith. Stories. The Water Pixy in Other CulturesAccording to Romanian popular beliefs in Bucovina, the Water Pixy is a tall, heavily- built woman, some say as tall as a camel,

excerptsDEATHDeath, whom some mistake for Samodiva, Sila Samodiva or Salea Samodiva, is the invisible spirit that takes away any man's soul, irrespective of the fact that the latter is old or young, rich or poor, happy or unhappy with his life, at the moment when it

excerptsTHE LIFE OF MANDeath. The Signs of DeathDeath is no longer visible to people and dying men no longer are aware of their time like once; still, there exist certain premonitory signs that show one the moment has come to embark upon the journey with no return. Not everybody

excerpts1. Participation and RepetitionPerhaps the most significant difference between modern man and archaic man consists in this: for archaic man, a thing or an act acquires significance only in as much as it participates in a prototype, or in as much as it reiterates

Downstream on the wideArgesh River's sideNegru Voda's riding;Ten men go beside him:Masons, craftsmen fine, Masterbuilders – nine;Manoli makes ten,The greatest craftsman. Down this dale, they're boundTo erect and foundA monastery hall,A memorial. There, as

In his opening speech at the inauguration of the Village Museum, Professor D. Gusti said: …We did not have the example of open air museums from the northern countries, such as Skansen, Bigdo or Lillehammer. They convey us too much romantic and ethnographical merit, focusing

Historian The National Village Museum in Bucharest is the kind of museum in which the traditional exhibition halls are replaced by authentic households, consisting of dwellings and their extensions, technical devices, churches and triptychs transplanted from their places

FATE, RELIEF, GOOD FORTUNETHE PARCAEUrsitoarele (the Fates, the Parcae), also called ursitori, ursători, ursite, ursoi, ursoaice or ursoni, or Mire by the Macedo-Romanians, or albe, harasite, caşmete or hrioase by the Neo-Greeks and Bulgarians are known as three virgins