Enescu

1945 January 1st Absolutely alone, this Eve. First time ever, I imagine. Listening to the King's speech and to general Rădescu's[i]. Nonetheless, kicked off the evening by a prayer: asked God for PEACE, serenity, calmness. At the depth of my soul: melancholy,

excerpt THUNDERSTRUCK A few days after having met George Enescu on the road to Peleş, after dinner, I was on my divan smoking a fragrant oriental cigarette next to Princess Maria, resplendent in her long, pink veils; she was knitting without seeing the work, in the semidarkness

After a half-century's wait, in 2000 Aristarc Publishers from Oneşti released a bilingual (French-Romanian) volume by Maria Cantacuzino-Enescu: Ombres et lumières / Umbre şi lumini. Souvenirs d'une Princesse Moldave / Amintirile unei Prinţese Moldave, 926 pages,

Is a diary sometimes tantamount to confession and, if so, is it, most often, a sincere one? Is it also a means of self-liberation? The most delightful diaries, although usually set off by outside shocks, by major events or dramatic situations, reveal above all the confidential

Significant and flamboyant, this success reaped by the Ballet Ensemble of the Fantasio Theatre in Constanţa: a corps which has made the proof of less common technical virtues and that of an exceptional graphical grace in maintaining a new (and viable) language derived from

Managing Director, Oleg Danovski Ballet Theater Oleg Danovski's unquestioned merit lay in resisting the temptation of accepting to be turned into a ritual by the critique and the cultural bureaucracy, and in having launched, in the '80s, a first off the opera

Who is this Roman Vlad who composed 'The Seagull'? a well-known director asked me, a great music fan, therefore always present at the concerts and shows of the Enescu Festival. The meaning of this question was suggested by its intonation: Who is this Roman Vlad

Once upon a time, the Choreography High School in Cluj was renowned for the quality of the dancers who graduated there, as if in Transylvania there were more handsome, gifted boys than elsewhere. For once, in 1973, the Bucharest Opera opened its doors to an exceptional generation

Should we try to mark on the map of Europe the places where, during the last twenty years, the first Romanian ballet masters have been shining, whose names figure in international dictionaries of dance, we would have to cover the map from Stuttgart to the Canary Islands

Presently, Adina Cezar is a name in the field of choreography, by having created for three decades a sound nucleus of Romanian contemporary dance. Dancer, choreographer and artistic manager, Adina Cezar is a genuine, tenacious and dynamic searcher. Every moment she reorders

The new season of the National Opera opened this autumn with a ballet made up of four choreographic pieces united under the title of the most elaborate one, Daphnis and Chloe, a production staged by Gelu Barbu, a Romanian choreographer from the Diaspora. Gelu Barbu belongs

A talk with Gelu Barbu Each artist who fulfils his destiny up to the zenith of glory becomes the founder of an island nostalgic about the continent. The creator does not represent a boastful, empty oneness but a world within a world. His original formula is achieved thanks