Eminescu

Romanian folk dance is a huge universal breathing, reflecting like a mirror the passing, the metamorphosis, that macrocosmic something always different. Hora, brâul, sârba, the pair dance highlight the joy of being, like an ostinato (by keeping the melodic line but always

Oh, come to the wood! The fountainBubbles on the pebbles roundAnd the lowly-bending branchesHide a plot of terraced ground.  To my open arms you'll hasten,On my bosom you'll alight,And I'll lift then from your forehead,From your face, the veil so white.  On

excerpts To you I am descending, oh you, deluded souls!To set your gall a-seething-you, minds like fumaroles- I'm carrying a curse;My curse is misanthropic, with purple, claw-like hand-With this I stamp your foreheads, instead of cattlebrand: A stigma, if not worse.

To the achievement of literary impact, Argeş Monastery comes up with a simple and ingenious solution: the absolute contrast between the soft and caressed tenderness of form, on the one side, and the wild graveness of the underlying tragedy, on the other. In the style and

excerpt THE ROMANIANS' SPIRITUAL LIFE The Two Myths of Romanian SpiritualityIn any culture, there is always a central myth that discovers it and that is to be found in all its major works of art. Romanians' spiritual life is dominated by two myths that express,

The experimental artist Grigorescu Ion has forged himself some time ago out of the painter Ion Grigorescu. Indeed, in Romanian it is rather unusual for an adult to put his family name before the forename. Customarily, this happens in official documents or in school registers,

Emil Popescu was an architect. His specialty was the oil factories and we can say, without any exaggeration, that wherever in the country an oil factory had been built in the last five or six years, one could easily tell it was the work of architect Popescu's skilled

excerpts Pandele Vergea's home was severed from the heart of the town only by a mere quarter of an hour's walk. Despite that, it was left without the range of any sound from the side-paths quietly leading towards the profundity of a valley – in whose depths churlish

COMPOSER, MUSICOLOGIST, WRITER, FOLKLORIST, INSTRUMENTALIST, ESTHETICIAN, PROFESSOR, BYZANTINOLOGIST, PHILOSOPHER Born in Galatzi (24 March 1885), he began his musical studies with his father, the composer and professor Constantin Cuclin, continued at the Bucharest Conservatoire

excerpts 30. The ass and the airCane and Tolstoi on the train. They talked about the status of the writer in society, how good it was during communism when writers were given cars, villas and fat paychecks. Of course you would keep on writing; today you write and everyone's

I don't know what pornography has come to mean today, but I know what pornography is not. I recently saw the horrid TV broadcast against Ovidiu Verdes's book, the whole pathetic setup designed to compromise an author. I consider Musics and Tricks as one of the

excerpt Paul Dunca found himself asking not what has become of the baron, which would have been an equally ludicrous question, but at least still possible at the time, but:How is the baron?The girl burst into a loud laughter and that was her only answer, and Paul Dunca understood