EBU

The message addressed to international surrealism. Theoretical contributions and techniques proposed by the Romanian surrealists Between 1938-1940, two young Romanian poets, Gellu Naum and Gherasim Luca, were in Paris – Naum to study philosophy, and Luca as the precarious

The year 1900. Europe's countries are divided on the question: does the 20th century begin in 1900 or in 1901? Some opt for 1900, by virtue of the change in the figure of the hundreds. Others are partisans of 1901, for reasons of more sophisticated arithmetic. Particular

I wonder if nature always plays the same game (Einstein) Of course I was coming from sleep, how else is a day supposed to start? However, I didn't know much about the world I was coming from. On the other hand, the world I had landed in should have been very familiar

Einem gelang es – er hob den Schleier Goettin zu Sais. . . Novalis I One morning in the autumn of 1934, a messenger brought me a rather strange letter, adding he was waiting for an answer right then and there. The letter was from a lady, Mrs. Zerlendi, whose name I had

I certainly am neither the first, nor the only person to notice that the fantastic appears as a distinctive feature of Nordic, non-Latin peoples, rather than of the meridional spirit. The solar, mercantile, skeptical-rationalist South, and the sanguine, outgoing, relativistic

The early-20th-century major Romanian art is not a block, but a very particular construction of intertwined cultural layers. One could not affirm that the most fertile and valuable Modern cultural period of this country was characterized by a certain, homogenous Romanian

Even if this was a long time ago, two of the phrases that remind me of her really bring her back to my mind. When her yard was filled with Gypsies, and – everybody knows this – such a thing happens often enough, because this is the way they go, in gangs, she would chase

excerpt1 Day was a-dawning sluggishly on Saints Eusignius, Nona and Fabius, a Saturday as it happened; like unto a blunt blade scraping at the gloom caked all over our bodies did the daybreak appear, and impotent, too. The bells tolled half-heartedly and a thin film of

The Jewish problem is not only a problem of the absolute Mathematician; it is one of the whole mankind. The first Christian commentators of the Pentateuch kept calling the attention to the mistake of registering the Scripture to the letter. Certainly, the Jews in Moses'

Beetle legs ran across his face and he woke up. He stretched and got up, threw the tiny insect on the floor and crushed it, still half asleep. Then he looked down over his body searchingly, pleased with the way he could make his arm muscles twitch and jump as he wanted.

1Not you, Allen Ginsberg,nor you, the Jewish God of Revenge,nor his five-thousand years old people,shall hear my Kaddish,but you, Gentiles, shall hear it,here,in Europe. I, the uncircumcised,a child of the baptized childrenof a thousand years, -before your eyes I grew a

It may be said about some cities that they are theatrical; that – in other words – they look like a stage set. Take, for instance, Venice or Naples. It may be only an illusion, however, given a host of plays by Goldoni or Eduardo de Filippo whose plots revolve around