EBU

Absolvent al Academiei de Arte Frumoase din Bucureşti în anul 1931, la secţia de pictură, avându-i ca profesori pe Camil Ressu şi Constantin Artachino, Ion Popescu-Negreni aparţine Paradisului Pierdut al Picturii (formulă folosită de Andrei Pleşu cu referire la

„(. . . ) talentul domnului Dinescu este de cel mai mare folos pentru toţi, nu numai pentru istoricii arhitecturii. Pentru fiecare generaţie măcar, astfel de cărţi trebuie să se facă – scrie Andrei Pippidi în prefaţa albumului. Cele peste 100 de imagini realizate

Revista care poartă azi numele de Euresis a fost fondată în anul 1973 cu titlul Cahiers Roumains d'Études Littèraires (C. R. E. L. ) şi a apărut sub egida şi în regia editurii Univers condusă atunci de Romul Munteanu. Direcţia propriu-zisă a revistei i-a

clockwise from top left: Smardan St. , Stavropoleos St. , Caru cu bere pub (2), Stavropoleos Church (3), Russian Church. Early Sunday morning before 10 A. M. , the city offers its first surprise. It is empty. The bare streets are visible in all their twisted length, without

top row: around Bishopric St. , Capşa restaurant, Magheru Blvd. , in Cismigiu gardens (see also Them in Gallery) If we take an X-ray of the articles published by the major Romanian dailies, we get an overwhelming abundance of unsettling, grotesque events created by outbursts

Photo: Mihai Duţescu I'm reading an article written by Roberto Segre about the architecture intended for the working class, an architecture that has changed the landscape of the towns only in the twentieth century. Until then, poverty did not have such a great influence

Red bricks are the distinctive feature of this construction, next to the white rosette, a huge round window above the main portal: thereby, the reader has most certainly recognized the Archbishopric of Saint Joseph's Cathedral. It is one of the landmark buildings in

Well, then, Dilema Veche intends to host a series of comments on the state of the city in which we live, to which some of us are bound, by birth, others by a life experience that is getting longer and longer, and which we want to defend against the aggressive attempts to

I no longer love Bucharest. I'm no longer hoping something can be done about this dump of Europe An interview with Mircea Cărtărescu by Ion Longin Popescu Slowly but surely, the old, historic Bucharest – the little that was left after Ceauşescu's demolishing

Cismigiu gardens, Icoanei park, Kiseleff park (see also The green within in Gallery). Many of Bucharest’s gardens and parks, which no longer exist because of extensive urban reorganising, were shaped as the aristocracy tastefully redesigned the open space around their

City Hall, Palace Hall, Opera, National Theater. At a news briefing held yesterday by the Ministry of Culture and Religious Denominations, Minister Adrian Iorgulescu informed the press about his conversation Monday with Bucharest Mayor Sorin Oprescu. Equally, Adrian Iorgulescu

Richard Rogers Partnership proposal, 1996People's House (Parliament) After 1989: Methods of researching the built environmentResearching Communist architecture is a tricky endeavor in contemporary Romania, where some major actors of that era are still alive, some even