Dvořák

Cunoscuta soprană Cellia Costea va susţine la Varşovia, în 3 decembrie 2008 (ora 19:00), la Catedrala Luterană (pl. Małachowksiego 1), un recital de arii de operă şi piese româneşti. Ea va cânta acompaniată de pianista Anahit Ter-Tatshatyan, iar invitatul special

Cvartetul Belcea revine la Ateneul Român: sâmbătă, 23 iunie, ora 19, prestigiosul ansamblu de muzică de cameră va susţine un recital cu lucrări de Mozart – Cvartetul în re minor K 173, Dvorak - Cvartetul nr. 14 op. 105 şi Beethoven – Cvartetul Razumovsky nr.

Invitaţie la o seară de sâmbătă cu Mozart, Dvořák şi Beethoven Cvartetul Belcea revine la Ateneul Român: sâmbătă, 23 iunie, ora 19, prestigiosul ansamblu de muzică de cameră va susţine un recital cu lucrări de Mozart – Cvartetul în re minor K 173, Dvorak

Soprana Cecilia Bucerzan și acordeonistul Fernando Mihalache  vor concerta pe 20 decembrie, de la ora 19. 30, la Catedrala Franciscană Sfântul Anton de Padova, aflată pe Blvd. Istiklal din Istanbul.  Cecilia Bucerzan este absolventă a Universității de Muzică

RECORDINGS WITH ORCHESTRAS ABROAD Orchestra Author Work Company 1. Radio Berlin Orchestra Haydn Symphonies 94, 103 CD Electrecord 2. Radio Berlin Orchestra Rossini – Respighi, de Falla La boutique fantasque, LPElectrecord The Three-Cornered Hat, Suites 1 and 2 3. Radio

With Beethoven's Missa Solemnis, Horia Andreescu endowed his own anniversary (50 years of life, which is both little and a lot in the life of a conductor) with a well-deserved brilliancy. On the other hand, while defining his assuredness, the merits of a 27-year career

Schwerin Founded by Heinrich der Lowe in 1160, the city today is worthy of its eight-century tradition. It abounds in vestiges – proudly and understandingly nurtured – of a history that is comprehensive in what regards the cultivation of music, too. The notes that I

Conductor Constantin Silvestri's first contact with the music of the Occidental world represented a shock because the entire classical and modern music deeply imprinted on the consciousness of the public was utterly shaken by a new, contemporary, vital spark of the

– Peter I. Tchaikovsky: Nutcracker, suite for orchestra (Bamberg Orchestra); taken up by Electrecord – ST-ECE 0791 – Edvard Grieg: the Peer Gynt suites op. 46 and op. 55 – Carl Maria von Weber: Overture to Der Freischuetz; Overture to Euryanthe; Overture to Oberon(Bamberg

a. Works for the Stage (Operas, Comical Operas, and Ballets) Vincenzo Bellini: NormaVincenzo Bellini: I PuritaniGeorges Bizet: CarmenArrigo Boito: MefistofeleAleksandr Borodin: Prince IgorDomenico Cimarosa: Il matrimonio segreto Leo Delibes: LakmeGaetano Donizetti: Don

Aida, March 17, 1920. I waited for it. With the justifiable, feverish impatience you feel before an ideal dream comes true!, wrote the Rampa magazine on March 18, 1920, hailing the opening of the first lyrical season. People liked the cheap, but very beautiful stage design,

In an obituary published in the Tages Anzeiger of Zurich, Mario Gerteis draws a suggestive portrait of Celibidache in his youth. A nervous fiery ball, halfway between histrionics and insight, between passion and obsession. His dark locks hanging over his face in disorder,