Dog Day's Afternoon
The thermometer stands at 33 centigrade in the shade. In the scorching heat, a coach stops in Patience Street at 11 A, at around three in the afternoon. A gentleman gets off the carriage and, at a sluggish pace, approaches the door with a marquee, then rings the doorbell.
The Mother With Three Daughters-In-Law
There was once an old woman who had three sons, tall like steeples and of virtue mighty but dumb as fishes. The old woman had a plentiful household, with a fine piece of land, a stout manor and annexes, a vineyard and nice orchard, cattle and lots of poultry. Besides all
Editor's Note
There is an old Romanian saying – Romanians are born poets. Judging by the amount of poetry produced in Romania in the past two centuries, there may be more to it than mere preconception. But although one may discover a fair number of gems upon reading it, and critics
Brâncuşi Vs. Brâncuşi
Modernism has brought to paroxysm the need of personal mythologies, immanent to Western civilization. No wonder that some of the heroes and saints of the avant-garde came from those peripheral European territories still uncharted from a spiritual point of view. By the beginning
Quotes On And From Brâncuşi
Simplicity is not an end in art, but one arrives at simplicity in spite of oneself, in approaching the real sense of things. Simplicity is at bottom complexity and one must be nourished on its essence to understand its significance. Catalog of Brâncuşi exhibition, Brummer
George Enescu At The Beginning Of A New Millennium
The history of world music has witnessed many spectacular overturns in the hierarchy of values, when names of purely local interest whose death was not even announced in an obituary (Johann Sebastian Bach) became world famous personalities a century later. Quite often, internationally
Constantin Brâncuşi: The Temple Of Liberation And The Hieratic Emblem Of The Chimera
The Chimera, a sculpture carved in oak wood between 1915 and 1917-18, currently exhibited at the Philadelphia Museum of Art, has so far attracted but limited exegesis. Petru Comarnescu, in a conference held in Craiova in 1957, made reference to the body streamlined as to
Brâncuşi And The Significance Of Matter
In a holographic note drawn up in Romanian in the third person, Brâncuşi speaks about himself as about someone else and makes an important remark in connection with his relationship with materials. Turned down in 1910, he exhibited fully carved stone and marble for the
Museums: What They Are And What They Must Be. The Example Of America
We think too often that a museum is a repository where you discard all sorts of objects. Arts, history, natural sciences, technology, curiosities. You place exhibits from all these domains into bright and spacious halls; you range them nicely one next to the other and sometimes
Our Defense Abroad
Let us not be deceived by articles and books issued by courtesy or for which we pay, and this so seldom. We are not loved abroad. Even if people remember the fine welcome we give people – which is so comprehensive according to the customs, and at times even sufficiently
Report
About fifteen years ago, during the Brătianu Cabinet, I was editing 'The National Revolt'. It was an essentially combative paper, in strong opposition to the government. Our strength however lay not so much in the leading articles or in the polemic pieces as in
The Romanian Nation
Very few people today will remember a famous newspaper that used to appear at some point in the capital, during the war of independence. I mean here 'The Romanian Nation' that Frédéric Damé and I published together. The life of that paper was as short as it