DRAG

excerpts Almost every night I talk to Adela on the porch. The ladies go to sleep earlier. Adela shows an attentive, almost submissive, sympathy to the maestro. She is, however, more personal in opinions than before. But what is going on inside her? When she talks it always

Preface In April 1990, I handed over the volume The Silent Escape to the Secretariat of the French publishing house La Découverte in Paris. On September the 1st, the same year, the book was in the bookshops. It's my first book and I don't consider it literature.

*  Sunday, March 31, 1940Rotten weather. I stay indoors and work, bringing my Diary to date. The French and the British hold frequent, definitely long conferences – now in Paris, now in London – attended by militaries and politicians. This incessant activity evinces

It is difficult for me to express an opinion about Romanian ballet. I only know it thanks to first-class dancers. The first were Magdalena Popa and Sergey Stefanski, then George Iancu, followed by the dancers of the beautiful company of Oleg Danovski. One thing was certain

Mălina Andrei is yet another young creator whose presence is being increasingly felt in our choreographic landscape. This year she will graduate from the Academy of Theater and Motion Pictures, the choreography section, but she already teaches contemporary dancing at the

Chapter XII. The Current [1907] Psychological Traits of the Romanian PeopleAll foreigners that visited the Romanian countries were unpleasantly struck by the negative traits of our character. They don't care, says Mr. X. Marmier, for the name of their master. What they

In D. Draghicescu's terms, this transactional spirit (Cough up more, sir! – Knock some off, mister!, as a folk saying goes) is the legacy of the Orient, a stamp of the Levant on our past, present and, presumably, future. In this key, the transaction points to a polymorphous

Many are the peoples that crossed the land over which Romania extends today. They left their mark in ancient Dacia, Moesia and Thrace, in the Greek colonies, Roman provinces, and Byzantine themes. The indigenous populations blended with the newcomers and produced a Romance

The Romanian realm has given great creating spirits to the world, in all fields of activity: philosophers, historians, sociologists, scientists that made epoch-making discoveries, inventors, writers (poets, prose writers, and dramatists), brilliant musicians, painters, and

a. Works for the Stage (Operas, Comical Operas, and Ballets) Vincenzo Bellini: NormaVincenzo Bellini: I PuritaniGeorges Bizet: CarmenArrigo Boito: MefistofeleAleksandr Borodin: Prince IgorDomenico Cimarosa: Il matrimonio segreto Leo Delibes: LakmeGaetano Donizetti: Don

Aida, March 17, 1920. I waited for it. With the justifiable, feverish impatience you feel before an ideal dream comes true!, wrote the Rampa magazine on March 18, 1920, hailing the opening of the first lyrical season. People liked the cheap, but very beautiful stage design,

On 20 November 1921 an enthusiastic letter written by the poet Cincinat Pavelescu is published in Rampa, a letter which we see fit to transcribe in full: Dear Mr. Editor in Chief, My life's absorbing activities of incessant work at the head of a newspaper without any