Cultura

Corneliu MICHAILESCU (Bucharest, 1887-Bucharest, 1965) is one of the less known Romanian avant-garde artists, with a particular although somehow exemplar creative itinerary. Despite his relatively long life and apparently static development, he is one of the rare Romanian

With immense delicacy and great scrupulousness he [Gellu Naum] would each time talk about Victor Brauner – the friend from his youth years he had met on the occasion of an exhibition opened at Mozart Hall in Bucharest. It was 1935. The twenty-year old youth, Gellu Naum,

Dear friends,The cultural portal LiterNet () is glad to let you know of the release of a new e-book published by LiterNet: 49. Pentru Gellu Naum / For Gellu Naum (volume coordinated by Iulian Tănase, bilingual edition) From rhymes and games, events and silences a book

I can almost hear Gellu Naum saying: I fell on the pavement on account of the old tree roots which have heaved it. There was a smell of putrid leaves. And of putrid earth. I could not lift myself up. From somewhere, came a cur of a dog. 'You want grass,' I asked.

Those writers obsessed by the form, which they do not hesitate to convert into a norm, are too well familiar with the pain that accompanies the process of completing a page in a duly controlled, stylish, manner. Ultimately, one writes on waters, since all messages are, from

excerpts Having begun when he was seventeen or even earlier, B. Fundoianu's activity as a publicist impresses by its intensity and diversity. Simultaneous and assiduous collaborator to many magazines, the author doesn't seem to have the prejudice of specialization:

* It's not easy being a Romanian writer. There is a double misunderstanding regarding the perception of Romanian culture abroad. Before referring to it, I must say that the idea of national writer is itself a misunderstanding. If in sport a sort of benign vanity makes

Max L. Blecher was the son of a wealthy Jewish businessman from Moldavia. After graduating from college in Moldavia, he went to Paris to study medicine, but soon he got ill and became a cripple, forced to stay in bed till the end of his days because of bone tuberculosis.

NOTES HoroscopeFebruary 2, 1921, 18:00, at Margot'sVery, very proud, capable of dissimulating anything. Compulsive gambler with a fondness for women; extremely passionate, I run the risk of killing someone. I have inherited the intelligence and character of my mother.

In a recent French translation Old-Court Philanderers have made quite a sensation. Different from Panait Istrati whose epic caught our attention, Mateiu I. Caragiale is not so good at describing a certain medium; his force lies in his rhythm, his intimate thrill, his sentence

Mateiu Caragiale left us a literary heritage, fragmentary in its outlook that puzzled and amazed through its originality, through an appetite for mystery it seemed to originate in, through the secret inspiration that fed it and through its old-fashioned lyricism which was

*More than a century ago Europe was not yet known as a cultural construction, an intellectual day-dream, a heap of broken images, a copy in a world without originals. Artists tried to escape the big fortress ensconced in coal smog and torn by wars, social conflicts, and