Bucuresti

In history, the diurnal has always been a distorted image of the nocturnal. In daylight, events are the way we want to see, feel, and understand them. The nocturnal rejects such a compromise for the tranquility of crowds. It has existed next to us since the dawn of history,

top row: around Bishopric St. , Capşa restaurant, Magheru Blvd. , in Cismigiu gardens (see also Them in Gallery) If we take an X-ray of the articles published by the major Romanian dailies, we get an overwhelming abundance of unsettling, grotesque events created by outbursts

Go take a walk down the boulevards of Bucharest these days and breathe deeply. With your nostrils widely open. What a wonderful scent of spring! Without feeling it, in this package made up of the perfume of snowdrops and violets, you have just breathed in some sulfur oxides,

from left: Antiques store on Covaci St. ; National Bank on Lipscani St. ; Victoria department store; Dimbovitza river. The navel of the city: one couldn’t find a better name. There was once an umbilical cord. Through it, Bucur’s shepherds village used to receive, no

Richard Rogers Partnership proposal, 1996People's House (Parliament) After 1989: Methods of researching the built environmentResearching Communist architecture is a tricky endeavor in contemporary Romania, where some major actors of that era are still alive, some even

excerpts In the second half of the 17th century, inns emerged in Bucharest. They later formed a very important chapter in the Bucharest economy of the 17th century and of the first half of the 18th century, and they made an important contribution to the development of the

Contemporary dance choreographers work on gestures. They do not necessarily have to be beautiful or interesting, but simply natural. Every single emotion expressed. The dancer always performs something, interprets something, lives that moment either through gesture, movement

Origins. In Experimentalism in Romanian Choreographic Art between the 60's and the 90's, published in 1997, Liana Tugearu made the following remarks: After a very short period of storing and decanting, a few young dancers broke away from the established companies

The Ararat Publishing House published late last year a sentimental book entitled Stories' from the lives of Italian ethnics in Romania. I have known its author, Modesto Gino Ferrarini, for a long time, ever since our young days as journalists. Although he has been a

We do not hate the Greeks; quite to the contrary, we love them and we share the same heritage: a nationality to build; for we have the same interests, the same pains, the same hopes; and when we say 'we love them' we can bring proofs to support this statement:

Through the centuries, the spiritual connection between Armenians and Romanians has been very close as far as the Romanian musical culture is concerned. It's enough to remember Carol Mikuli, Mihail Jora, Matei Socor, Emanoil Ciomac, Sergiu Malagamba, Nicolae Buicliu,

Soulignant l'apport des écrivains, dramaturges, poètes venus de la sœur latine roumaine, Robert Sabatier fait cette remarque, dans le 6-ème tome de sa monumentale Histoire de la poésie française, celui consacré au XX-ème siècle: . . . mais il est vrai que