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B. Fundoianu began to publish persistently and regularly in 1918, when he was twenty; with the determination that characterized him, he embarked upon a tireless mission that took all the attributes of a vocation: that of a messenger of French – hence European – culture

As everything modern, the fantastic mode, which seems to be still one of our great favorites in these last years of the modern millennium is to be defined through the series of transformations of the traditional forms of the fantastic art. In her excellent reference book

I wonder if nature always plays the same game (Einstein) Of course I was coming from sleep, how else is a day supposed to start? However, I didn't know much about the world I was coming from. On the other hand, the world I had landed in should have been very familiar

(from: Chapter 5 - The Map of Metopolis Scaled 1:1; Chapter 4 - The Rail Car of the Millionaire, and from At the Armenian's Tavern and Once Again at the Armenian's Tavern - Chapters 3 and 6) If you are far, far away from the city and take a completely different

The wire that I had failed to see hit me below my knees. The earth turned, the boles propped against the stars somersaulted and I no longer heard the whistles. The red bells started to toll. Whipped up by the rain, the smell of weed and death that had simply been the breath

Einem gelang es – er hob den Schleier Goettin zu Sais. . . Novalis I One morning in the autumn of 1934, a messenger brought me a rather strange letter, adding he was waiting for an answer right then and there. The letter was from a lady, Mrs. Zerlendi, whose name I had

In short?In short, right now, as soon as you get home, pack up your things. . . Tomorrow morning, on my way to the station, I'll drop by for five minutes: I'm gonna drag you along! Fifteen days of quietness, of fresh air, after a whole summer in this inferno will

Ceci est un fait-divers atroce. Les Mémoires du Bal-Mabille There are dreams we seem to have lived sometime long ago, somewhere, as well as things we lived about which we ask whether they were not a dream. That's what I was thinking of yesterday evening when, rummaging

Nowhere does the devil, with all its litter and creatures, hide better than in the waters. The devil of the marshes, everybody knows, mingles with people and is the most delusive of them all. It takes various shapes: from the small light flickering in the darkness of the

A quarter of an hour to Mînjoală's Inn. . . from there, to Popeştii‑de‑sus, a post mile: at an average ambling pace, an hour and a half. . . The horse is good. . . if I feed it at the inn and let it rest for three quarters of an hour. . . it keeps going.

I certainly am neither the first, nor the only person to notice that the fantastic appears as a distinctive feature of Nordic, non-Latin peoples, rather than of the meridional spirit. The solar, mercantile, skeptical-rationalist South, and the sanguine, outgoing, relativistic

The early-20th-century major Romanian art is not a block, but a very particular construction of intertwined cultural layers. One could not affirm that the most fertile and valuable Modern cultural period of this country was characterized by a certain, homogenous Romanian