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22 Spătarului Street, Bucharest (see also in Romanian with illustration)  The siblings Béatrice and Hrandt Avakian set up their collections independently, nevertheless evincing a shared predilection towards Eastern art, to be accounted for among others, perhaps, by the

(see also in Romanian with illustration) Garabet (Garbis) Avachian (1907-1967) was an eminent violin professor with the Ciprian Porumbescu Conservatoire in Bucharest; among his students may be counted several laureates of international contests. This talented musician undoubtedly

Once, the art lover, strolling along the streets of Bucharest, would stop in front of certain houses – either known to him or not – that confined within their walls innumerable works of art. Around these art works there endured a name, that of the people who had gathered

The Eng. Dumitru Minovici Museum of Ancient Western Art at 3 Nicolae Minovici St. in Bucharest was born in June 1945 as a result of the donation made by Dumitru Minovici to the Romanian Academy. It is the only museum of the Romanian Academy in Bucharest. We will first present

Mina Minovici Museum, 3 Nicolae Minovici St. In 1936, Dr Nicolae Minovoci donates to the city of Bucharest his villa in Romanian folk style built in 1905 following the designs of architect Cristofi Cerchez, as well as his entire collection of folk art: costumes from the

Virgil Cioflec, later to become a writer and a collector, stands out amongst the moral and financial supporters of the initiators and founders of Artistic Youth Society (December 1901). With some of its founders, Gheorghe Petraşcu, Ştefan Popescu, Kimon Loghi, Ipolit Strâmbulescu

Simu Museum A conservative MP in the 1888, 1891 and 1899 parliament sessions, Anastasie Simu finally became tired of the Machiavellian political life in Romania at the end of the 19th century; realising he had no prospects to achieve momentous social and cultural events

click here to see film The Peleş Castle, former royal summer residence, today a museum open to numerous visitors from the country and abroad, was built between 1875 and 1914 in two important construction phases. Placed at the foot of the Bucegi Mountains, in the upper

Anyone can become a collector, and anything can be collected: matchboxes, pipes, candy bag stickers, paintings, traditional items, arms, books, and so forth. It seems that the Aztec king Montezuma collected and/or collected people with various malformations which he kept

  To the preceding names I would like to add the name of Georges de Bellio, who wasn't an art producer through continuous production, but who was still a producer of art, in his own way, by being the friend, councilor and supporter of these artists in their difficult

The year 1863 was full of events that had a significant impact on the artistic world of Paris. On the 24th of July, the new rule of the annual Salon, organized in the Palace of Industry, was announced. The rules were perceived as a way of waving the jury, formed only by

Before becoming fascinated with Impressionist painting, de Bellio already had a remarkable art collection, made of various objects purchased in auctions at Hotel Drouot or from Parisian antiquaries: furniture, old Dutch lamps, Italian drawings from the 17th century, sculptures