Atena

SEVER –PETRU BOŢANNăscut în 1984. Între 2003 şi 2007 urmează cursurile Facultăţii de Istorie (specializare: Istorie-Engleză) a Universităţii „Alexandru Ioan Cuza din Iaşi. În 2006 este bursier Erasmus-Socrates la Universitatea „Aristotel din Tesalonic

Richard Rogers Partnership proposal, 1996People's House (Parliament) After 1989: Methods of researching the built environmentResearching Communist architecture is a tricky endeavor in contemporary Romania, where some major actors of that era are still alive, some even

Mi formación básica como hispanista y como filólogo, en general, se ha llevado casi exclusivamente a cabo en la Universidad de Bucarest. Ha sido una buena formación, y la única falta (¡eso sí, mayor!) que podría achacarle es la ausencia casi completa de diálogo

. . . Camino extraviado, vereda perdida, vereda olvidada, vía serpenteante, vía errada, vía desviada, camino perdido, sendero extraviado, sendero extraviado con motivo de puntos, sendero extraviado con flores, sendero extraviado con soles, sendero extraviado con mallas,

If you read travel notes by simple tourists or people on journalistic, cultural or political assignments, from the 1920s or 30s, if you peruse recurrent images about a Bucharest imprinted with evil or good charms, equally decrypted and encoded, moving and repulsive, you

The Chimera, a sculpture carved in oak wood between 1915 and 1917-18, currently exhibited at the Philadelphia Museum of Art, has so far attracted but limited exegesis. Petru Comarnescu, in a conference held in Craiova in 1957, made reference to the body streamlined as to

Putting the finishing touches to the French edition of The History of the Romanians I could review a long concatenation of historical deeds spanning nearly two thousand years that tell another story than day-to-day affairs, and provide different lessons than those certain

excerpts The Diary and Its Readers We should not overdo it with diaries and letters. We usually tend to deem them more revealing of the man than his public work. All that is secretive, familiar draws us as if it were a confession. It is the pleasure of breaking an interdiction,

Representing dance and dancers is not infrequent in Romanian art. From the famous Hora by Tattarescu, at the end of the 19th century, to the series of Căluşarii of Magdalena Rădulescu by the middle of the 20th century, various painters aimed at getting something from

excerptsVienna, December 1838 Extra Hungariam non est vita, si est vita, non est ita.  Vienna and Bucharest! Oh, what a difference between these two cities! Like the sun and the planets is this Capital surrounded by adequate corollaries stretching to the margins of the

IBeyond the Stone Cross brothel district, on the left of Vitan Road, there rises the HolyRoadAltarChurch. And a mighty proud church that is! Such paintings, inside and outside, are seldom to be seen but in the abodes of old. If you listen to its parishioners, especially

excerpts What's your name? asked Bajnorica. Atena, the answer sounded clear and neat, casting the light of the trustful, caring and obedient friend over the young girl. Bajnorica looked at her face closely, assessing her age around her early or even late twenties,