1989

Just another day in Bucharest, in the year 2006, in summer. My friend, an architect, who accompanies me on my visit to a “bedroom suburb”, feels shivers down his spine. Maybe it is because he doesn’t like “the poetry of concrete”. Or maybe he has a problem with

Clockwise from top left: Revolution Square, Maniu statue, Coposu bust, Hilton Athenee Palace, Kretzulescu Church, University Library, Ataturk bust, Carol I equestrian statue. Post-revolutionary administrators of the capital city have managed to turn the birth place of the

Gregor von Rezzori has never been part of Romanian-German literature, a fact regretted even beyond his death. The writer, who was born in 1914 in Czernowitz and died in 1998 in his home in Florence, would have, nonetheless, met some of the conditions for qualification. But,

Bucharest (Rom. Bucureşti) has been some sort of oddity since the very first days of its existence. The legend has it that it was founded by a shepherd, named Bucur, and it was later named after him. Not remotely as glorious a godparent as the goddess of wisdom (the case

Dimbovitza river from Izvor bridge, Old Court ruins, Patriarchate Palace, old house on Gabroveni St. Romania's capital city Bucharest lies in the south-eastern part of the country: there, several centuries ago, the Vlasia Forests were reigning, from which just a few

Richard Rogers Partnership proposal, 1996People's House (Parliament) After 1989: Methods of researching the built environmentResearching Communist architecture is a tricky endeavor in contemporary Romania, where some major actors of that era are still alive, some even

Armenian Church; St. Joseph's Roman Catholic Cathedral; Stirbey house on Calea Victoriei excerpts from the debate organized by Ileana Foundation for Contemporary Fine Arts and Modern Architecture in Romania, hosted at UNA Gallery on May 12th 2008 Nowadays, the oldest

„Amer savoir, celui qu'on tire du voyage ! Le monde monotone et petit, aujourd'hui, Hier, demain, toujours, nous fait voir notre image: Une oisis d'horreur dans un désert d'ennui ! (Ch. Baudelaire, Le voyage) („ ¡Amarga enseňanza que uno saca

“Enciclopedia de una carrera” por Adolf Armbruster Barcelona, Gran Teatro del LiceoG. Donizetti: La Favorita / el papel: Leonora di GuzmanDirector de orquesta: Adolfo Camozzo / Director de escena: Diego Monjocon: Jaime Aragall / Luigi Ottolini (23 de noviembre), Vicente

Me sucedió en esta vida la cosa más triste posible: de poeta he llegado a ser autor. Creo que fui un poeta verdadero alguna vez, en mi adolescencia, cuando aún no había publicado – y, salvo mi diario íntimo, tampoco había escrito – nada. Es mi estado ideal, perdido

A Word with Two Meanings We invent words, then let ourselves be subjugated by them. There would be no knowledge without words, but it is words again that grow into independent entities, obstacles that come between us and the real world. They move us closer to and at the

I wonder if nature always plays the same game (Einstein) Of course I was coming from sleep, how else is a day supposed to start? However, I didn't know much about the world I was coming from. On the other hand, the world I had landed in should have been very familiar