Posters
by M. H. Maxy (1895-1971); Marcel Iancu (1895-1984); Victor Brauner (1903-1966)
Urban Memory: Museums Of The Romanian Capital
1st row: National History Museum, Old Court Museum, Archeology Museum (detail), National Museum of Art2nd row: Collections Museum, Zambaccian Museum, Theodor Aman Museum, Gh. Tattarescu Museum 3rd row: Storck Museum, Romanian Peasant Museum, Astronomical Observatory (detail),
The History Of Nothing: Contemporary Architecture And Public Space In Romania
Richard Rogers Partnership proposal, 1996People's House (Parliament) After 1989: Methods of researching the built environmentResearching Communist architecture is a tricky endeavor in contemporary Romania, where some major actors of that era are still alive, some even
Yesterday Will Be Another Day
I wonder if nature always plays the same game (Einstein) Of course I was coming from sleep, how else is a day supposed to start? However, I didn't know much about the world I was coming from. On the other hand, the world I had landed in should have been very familiar
Bucharest - Memory Walled-In
Architecture represents a means of interrogating history. Rather ominous, it is to be feared, when the question applies to the Romanian capital. Why so? The way Bucharest has been subjected to transformations in the last century accounts for the living changes affecting
Inns, Churches, Parks And Avenues
Bucharest became the capital of Wallachia in the middle of the sixteenth century in preference to the earlier sub‑Carpathian capitals of Câmpulung, Curtea de Argeş and Târgovişte. It became the capital of the united Romanian principalities of Wallachia and Moldavia
Not Only Caragiale
excerpt A commonsensical observation anyone could make is that in many of Caragiale's prose pieces the personal element comes out in a very direct manner, in the form of autobiographical reminiscences or fresh diary entries. Here is Caragiale as a child, tolling, together
The Diary Of Happiness
6 March 1960So I am finally taken out as well, led inside an office hid in that tiny niche of the arched corridor; examined, identified, undressed. I am only left one towel, one bar of soap, one toothbrush, one toothpaste, two pairs of socks, one shirt, one pair of underwear,
Memoirs
vol. II: 1937 – 1960 XXIIII begin to discover America… Chicago, December 10, 1984. For a whole fifteen minutes I have been standing by my window, staring blankly out into the street, without even understanding why. I got up from my desk because I thought it had started
Foreign Review Excerpts
Significant and flamboyant, this success reaped by the Ballet Ensemble of the Fantasio Theatre in Constanţa: a corps which has made the proof of less common technical virtues and that of an exceptional graphical grace in maintaining a new (and viable) language derived from
Judith Turos: I Only Dance Parts I Believe In
If to the ordinary Romanian ballet aficionado the name Judith Turos doesn't ring a bell, to the German press she is die Turos, just like Italians say la Fracci. Born in Baia Mare, she attended the Choreography High School in Cluj and graduated from the Moscow Ballet
An Interview With Gigi Căciuleanu - June 1999
Gigi Căciuleanu is one of the most important and original personalities in the world of contemporary dance. He is a graduate of the ChoreographyHigh School in Bucharest. He studied with Messerer Varlamov in Moscow. A decisive influence on his entire career came from the