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Popular belief has it that Death is an old crone, carrying a scythe. She scythes people and snatches away their soul. Or she sips their breath and again, snatches their soul. Or simply touches them lightly but cruelly with her frozen wing. And snatches their soul. As a child

The relevance of iconography for the study of the history of mentalities has been uncontested in the Western cultural space for the last few decades. The seminars organized in Aix-en-Provence on the relationship between iconography and the history of mentalities as far back

In the field of iconography the rhetoric of the end manifested itself initially as a history of silences, the absence of the motif being possibly equally significant as its presence since, as Michel Vovelle demonstrated, images interest us as expression of a selective, oblique

THE END OF THE EARTHI wrote in my other books about the popular beliefs regarding the future ending of the world and, consequently, of humankind as well as of the Earth we are living on. It goes without saying that the stories about the destruction of the Earth are scarce

excerpts The cosmic tree, whose root, trunk and branches uphold – by dividing yet uniting – the three cosmic levels, is the same as the funeral tree, because, to the folk mentality, the cosmic tree is the only passageway to the other realm that the soul of the dead

excerptsTHE WATER PIXY. Representations. The Water Pixy and the Human Head. The Water Pixy's Wraith. Stories. The Water Pixy in Other CulturesAccording to Romanian popular beliefs in Bucovina, the Water Pixy is a tall, heavily- built woman, some say as tall as a camel,

excerptsDEATHDeath, whom some mistake for Samodiva, Sila Samodiva or Salea Samodiva, is the invisible spirit that takes away any man's soul, irrespective of the fact that the latter is old or young, rich or poor, happy or unhappy with his life, at the moment when it

excerptsTHE LIFE OF MANDeath. The Signs of DeathDeath is no longer visible to people and dying men no longer are aware of their time like once; still, there exist certain premonitory signs that show one the moment has come to embark upon the journey with no return. Not everybody

Among the customs associated with the individual's life, the burial ceremony is an intimate meditation before death seen as the inevitable end of a natural process, given along with life, therefore it does not bring about a greater trauma than any other aspect of living.

Myth as a source of folkloric artistic manifestations continually delineates new territories waiting to be re-discovered. In the moments of mythological reconstruction a process of sifting the essences is kindled, which fascinates and re-sizes the participants in a meta-real

Corneliu Bucur has been the manager of the ASTRA Museum of Traditional Folk Civilization since 1990. In 1965, he graduated the Babes Bolyai Faculty of History and Philosophy in Cluj. In 1981 he presented his doctoral thesis, with the following theme: Introduction in the

In the true spirit, these three concentric spaces – the village border, the village margin and the household enclosure – are in harmony with each other and with the cosmic order as well.  Romanian Folk Culture, 1999 by Nicolae Constantinescu