Stockholm

The November concert in the 'Enescu Concerts' series offers an exceptional encounter with two brilliant Romanian musicians, Remus Azoiței (violin) and Eduard Stan (piano), the supreme experts in George Enescu's chamber work. With a programme that highlights

The event is organized by EUNIC - Stockholm and implemented this year for the sixth consecutive year. The films selected have been shown around the world at international film festivals and several have received awards. Some of the films make use of experimental techniques,

Enescu-Brahms European Encounters Remus Azoitei – violin Eduard Stan – piano International chamber music tour featuring violin and piano duo Remus Azoiţei and Eduard Stan – in major cultural centres around Europe and the United States. The tour aims to highlight

The annual EUNIC Summer Academy (ESA) has already become a tradition and a great opportunity for the young employees of the national institutes for culture members of EUNIC to meet face to face and discuss possible common projects and the future of the network. The first

The Romanian Cultural Institute, a public body founded in 2003, is tasked with raising the profile of Romanian culture around the world. In order to achieve this, it spreads information and spearheads cultural projects involving Romanian artists and writers. Furthermore,

Plural is an English-language book-format magazine published under the aegis of the Romanian Cultural Institute in Bucharest, Romania (with branches in: Berlin, Brussels, Budapest, Istanbul, Lisbon, London, Madrid, New York, Paris, Prague, Rome, Stockholm, Szeged, Tel Aviv,

La revue que l'on connaît aujourd'hui sous le nom d'Euresis fut fondée en 1973. A ce moment-là, son titre était Cahiers Roumains d'Études Littèraires (C. R. E. L. ). La revue paraissait sous l'égide des éditions Univers, directeur Romul Munteanu,

The oldest recollections of actors of your generation used to begin with the scene of a provincial school festival: the future star winning a well-known, sympathetic audience made up of parents, grandparents, family friends, touched aunts. The memory of past reality is overwhelmed

We think too often that a museum is a repository where you discard all sorts of objects. Arts, history, natural sciences, technology, curiosities. You place exhibits from all these domains into bright and spacious halls; you range them nicely one next to the other and sometimes

In one of the marvelous spots of Switzerland I met Maurice Béjart, the choreographer that refreshed all forms of movements and made of dance the art of the 20th century. In Lausanne, Maurice Béjart continues to live creating and philosophizing for the synthetic art with

I suggest a discussion about superlatives. You have had a superlative career – as a matter of fact, two careers that at first intertwined, and then continued separately. Chronologically, who were your best teachers? My maestros were Anton Romanowski, Oleg Danovski, Gelu

In an obituary published in the Tages Anzeiger of Zurich, Mario Gerteis draws a suggestive portrait of Celibidache in his youth. A nervous fiery ball, halfway between histrionics and insight, between passion and obsession. His dark locks hanging over his face in disorder,